Selection of Fine Prints & Drawings 35 East 67th Street, New York (2nd floor) Opening Day: October 23, 11am – 8pm Exhibition: October 24-26, 11 am – 6pm Thurday & Friday, open until 8pm
info@gillisgoldman.com
Frieze Masters
Regent’s Park, London Stand G03
Salon du Dessin
Palais Brongniart (stand 11) 28, Place de la Bourse, 75002 Paris
Catalogue 19
TEFAF – Maastricht
MECC, FORUM 100 (stand 717) 6229 GT Maastricht
Xavier Mellery
The present panel is a softly rendered, intimate oil painting by Xavier Mellery, presumably showing the first communion of his daughter Lucy and that circumstance could be the reason why, until recently, this work was kept by the heirs. The figure looks very close to the girl depicted in an oil painting kept at the … Continue reading “Xavier Mellery”
Hermann Wöhler
Hermann Wöhler work is one the best rediscoveries made from the German art of the 1920’s. Die Sonne is part of the virtual series Der Paraklet. Sieben Bilder aus den Tagen des Retters un zum Gedächtnis an den frühe Heimgegangenen [The Paraclete. Seven images from the Days of the Saviours to the memory of the … Continue reading “Hermann Wöhler”
Odilon Redon
Odilon Redon’s Head of Perseus belongs to the best early painted works of heads cuts – flying, hanged, unexpected, in the ether or in water – that are the emblematic key of his oeuvre and can be assigned their places within an entire series of Redon figures. Actually, the present Head of Perseus is one … Continue reading “Odilon Redon”
Georges Dorignac
A terrific and powerful example of Dorignac’s sculpture-like drawings in black. This impressive face of a woman condenses all the major and singular characteristics of Dorignac’s graphic work: the tight frame, the monumentality, the black color, the volume and the dignity given to anonymous working figures. The tenebrous faces of women rising from the golden … Continue reading “Georges Dorignac”
Léon Spilliaert
The Cloud was painted circa 1902-1903, a very intense period marked by a great surge in the artist’s talent. The whole of Spilliaert is already there and every aspect of his work can be recognized, with the exception of garish colors which will start appearing in his pieces around 1912-1913. The female image was the … Continue reading “Léon Spilliaert”